Listening from (the) Inside.
Ümlaut
For this contribution, I focused on the domestic interior of my home in Weatogue, Connecticut, surrounded by the quiet of the countryside. The material is drawn from everyday systems and subtle activity within the house, alongside the faint presence of the landscape beyond it. These sounds are reshaped and layered, moving between sustained atmospheres and more detailed passages, where rhythm, pulse, noise, and repetition form slowly evolving structures.
The home is treated both as a lived-in space and as an acoustic framework. Rooms shape and filter sound, surfaces hold resonance, and elements from outside — weather, distance, night—move gently across the threshold. Mechanical cycles and environmental textures interact with glitch processes and considered uses of noise, producing a listening environment rich in variation and detail.
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