Honey Meridian.

Milinal

AB027: January 2010

Honey Meridian

Milinal asserts a sound that's all its own. Pop songs of sorts, glitching through obliterated guitar and vocals in an oddly haunting, romanticized manner. Deconstructed guitars gently plucking each arpeggio against a backdrop of beautifully saturated textures and field recordings. Yakovlev’s work operates in the realm of melody and form but his ear for the unusual allow him to carefully counterbalance the accessible with the experiemental.

 

Tracklisting:

  1. Fluxes
  2. Inside Sea Shells
  3. Dirketoki
  4. Drift
  5. Bur In Sky Ya
  6. Stereo Fall Of The Leaves
  7. Brinta
  8. Swallows Fly Low
  9. Hurricane
  10. Artificial & Yellow (featuring Natasha Burinskaya)
  11. Honey Meridian

Milinal

Delicately complex electronics from Yakovlev Valentine, a Russian sailor whose compositions brim with beautifully executed ideas.


Reviews

Igloo Magazine

Honey Meridian is the debut full length from Moscow musician Valentin Lakovley, under the project name Milinal. This digital LP from Audiobulb records explores a number of aural landscapes, from dark haunted washes of dissonant textural sounds to sonorous explosions of bright cheerful melodies. Lakovley drew on a broad spectrum of sounds to create this album, including a number of instruments, voices and field recordings all unified by melodic glitches, micro edited within an inch of their lives. The variety of source material adds to the alchemical charm of Lakovleys composition, in which elements seem to continually transform themselves rather than moving linearly through a sequence of movements. 

Honey Meridian kicks off with a brief introduction that sounds like a prepared marimba played underwater, transitioning elegantly into the four and a half minute masterpiece "Inside Sea Shells." This combo of understated crunchy electronics complimented by obliterated vocal samples is one of the most unique songs I've heard in years, primarily owing to the processing of the vocals. While the deconstruction of the human voice into digital abstraction is a common occurrence in the world of electronica, it is safe to say no one has ever done it quite like this. There is something truly alien about the feeling these disjointed, pitch-shifted vocals inspire, some quality that cannot be discussed without resorting to insufficient metaphors. On that note, this song is either a Martian lullaby carved on the inside of a melting glacier or a chorus of elf machines singing the national anthem of nowhere, but either way it's bad ass.

While "Inside Sea Shells" is probably the best individual song, the album is consistently amazing from start to finish. From the delicate scraping strings of "Drift," to the pastoral IDM of "Brinta" to the lovely piano and tuneful whispers of "Artificial and Yellow," each track represents a distinct sonic environment worth a hundred revisits. On the whole I prefer Honey Meridian's more melodic and structured moments to its ambient dronescapes, but the overlapping waves of static laced samples on exploratory ventures such as "Stereo Fall of the Leaves" and "Hurricane" are loads of fun as well. 

This is such an impressive record that at times it is almost hard to believe it is a debut. Compositions this distinct and mature usually come from multi album veterans, not 23 year old producers with one previous EP under their belt! Cheers to Lakovley and the folks at Audiobulb for this great piece of music, I can't wait to hear what comes next. 

Headphone Commute

St. Petersburg (Russia) based Valentin Yakovlev creates warm emotional electronica with triggered glitches and tweaked out bleeps. And emotional electronica can not exist without emotion. With this in mind, this 23-year old Russian sailor, releasing his debut full length under the moniker Milinal, enters the scene, drenching your neurons in thick cerebral cocktail as prescribed by the IDM doctor. Haunting vocals ping-pong around the stereo field, beneath the deconstructed guitars and soft synth pads. Micro programmed percussion pushes the rhythm forward, while plucked guitar strings and processed sounds swirl around in a smoky whirlwind. Fans of that Telefon Tel Aviv  sound, looking for another treat in this post-glitch-everything world, will be especially delighted. Other quoted influences for this record include Tim Hecker and Radiohead. Be sure to also check out Yakovlev’s first 6-track EP, Folgefonna released by Siberian Electronica  netlabel in 2009. This album deserves much more attention, and it should be surely considered for everyone’s Best of 2010 lists!.

Boomkat

Audiobulb continue to offer up interesting developments on the electronica scene with this unusual new long- player from Milinal. Honey Meridian asserts a sound that's all its own, slicing through filtered, ambient recordings drawn from instruments and environmental noises. 'Inside Sea Shells' offers a pop song of sorts, glitching through obliterated vocals in an oddly haunting, romanticized way, but subsequent tracks take us towards a more experimental set of sounds. The clicky guitar string dissections of 'Bur In Sky Ya' are as ear-ticklingly tuneful as they are elaborate and 'Stereo Fall Of The Leaves' is a wonderfully immersive soundscape in the Tim Hecker mold, full of dense, foggy noise formations and pensive electroacoustic treatments. Recommended.

The Silent Ballet

When picturing Russian sailors one would perhaps conjure images of rather grizzled, weather-beaten fellows whose souls have likely taken such a beating through years of hard toil and harsh environments that they could barely raise a smile, let alone create innovative music. And so enters Milinal (or Yakovlev Valentine to his friends) to shatter this rather clichéd image. A twenty-three year old mariner, Valentine is releasing his debut full length, Honey Meridian, through the always innovative electronic label Audiobulb, and it is safe to say that it defies the warm and sweet connotations of its title to offer something dense, dark, and always interesting.

Honey Meridian is an exploration in electronic music, combining and documenting many different approaches and sounds, and, thankfully, the result is surprisingly coherent. While it is a stretch to say that Valentine is creating something truly new, it would certainly be fair to suggest that very few artists are making music that sounds like this. That is not to say that there aren't influences to be heard. Intentional or not, I can’t help but think of Telefon Tel Aviv when listening to some of the beats and glitches, and the drones and squalls of static noise could easily be the work Tim Hecker. But these are just elements of the music - the structure and approach is all Milinal.

One thing that can be taken from the aforementioned references is an indication of the differing styles at work. Second track "Inside Seashells" is a gentle ambient number with warm manipulated vocals. This glitch-heavy piece represents one of the album's 'poppiest' moments, a fact highlighted by "Dirketoki," which finds Milinal in much darker territory. Leading with what appears to be a dusty guitar sample, the beats and electronic crackles move with more purpose and vigour. Milinal has moved into IDM territory here, and although ambient elements remain, it is a marked change in pace. After the abstract interlude of "Drift" comes the album's highlight and a real indication of what this young artist is capable of. 

"Bur in Sky Ya" is as intoxicating and dreamy a track as we're likely to find all year. What one assumes is distorted guitar cries beautifully over sweet and calming electronic beeps. As the track switches direction, gorgeous string-plucked melodies come to the fore; all the while otherworldly voices and drones play off in the background. Things sadly fail to reach these heights again, and the second half of the record is dominated by a far more abstract approach. Although more minimal, the closing tracks still offer some joyous melodic moments and an increase in noisy, distorted drones. Milinal finds a knack for pitching these noisy moments at some mystical cerebral frequency that seemingly resonates at the same pitch as the meditative part of my brain -- always stimulating total submersion and relaxation.

The overall impression left by Honey Meridian is one of depth and complexity. This is an example of densely layered electroacoustic music: treated instrumentation layered over glitches and beeps, with drones, melodies, and even voices thrown in for good measure. It can be intoxicating and overwhelming, but this range of sound ensures that the music consistently delivers something new. It is a case of the old adage that each listen reveals another aspect not appreciated at first, be it a hidden melody or a buried sample. At times the more sparse arrangements feel slightly disappointing when compared to the more focused efforts, but there is a strong ambient atmosphere that runs through the record. One can only imagine that it is perhaps the travels of this Russian mariner that have inspired this otherworldly collection of songs.

Audiobulb Records

Exploratory Music   

Sheffield, UK
contact@audiobulb.com

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